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Queen City: Volume Two

by Ketch Harbour Wolves

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1.
Diving white horses they climbed up again Look down to the clear blue lake Diving white horses were beautiful then Kings and Queens of a dream we could never wake, from If I must leave here before my time If the last boat has gone for the night May a picture of diving white horses in flight Guide me in to the white of the endless light
2.
Early on that April night Some kinda hell broke loose in Memphis and I Bolted for Atlanta caught a bus to Detroit Trying to make it through the northern borderline Well I ain't no saint But I ain't no assassin just a man with no lie But in the decade of the patsy we're just innocent bullets Trigger fingered by invisible hands and I know that Queen City believes you Queen City believes you no more From a quiet room on Ossington I watch for one of my names to appear in the headlines I've got so many now I don't know which one I should be looking out for But I feel a fierce heat coming up from the south I feel the cold fist of judgement coming down I'll be a hero in Rhodesia or I'll see you in hell But I ain't gonna waste away between the walls of a prison cell Queen City believes you Queen City believes you no more Look at you with my disinterested eyes Queen City be my mask tonight Queen City believes you Queen City believes you no more
3.
Lay with me Down on the hallowed street Where Tecumseh's lionized Stay with me Stay in the amber light Don't let the headlights catch your eyes You don't feel it, Still it runs right beneath us baby You don't feel it, Ten years gone and I Still remember that look you gave me from your icy third floor window I guess some things are better off denying I know I'd never amount to much I'm just afraid I won't die trying
4.
Beneath the vaulted halls of Union I was a train car cut adrift You had your ticket in one hand and my hand in the other You said Queen City's got her demons too, under your breath before we kissed Then you vanished with the last departing lovers And in the city square I asked the archer are we running off the rails? While the ghosts of The Ward hovered dark and devious He said there's nothing more repulsive than the need for cautionary tales Oh honey I love it when you speak to me like prometheus I was thinking maybe these things would pass You'll find me singing maudlin elegies for a kingdom that never comes Skulking down below the Bathurst bridge at midnight Such a debt do we owe the ones we love Such a debt do we owe I was thinking maybe these things would pass
5.
I came back home from the second war And nothing ever stayed the same I left a broken heart in the prairies What am I doing in Queen City again? I was never the fathering kind I guess blood runs thicker than they claim Now all I have is a photograph, an address And thirty years of estrangement from my own name I don't know why I came back I don't know why I came back I don't know why I came back to Millicent Street Now that I'm standing at the doorstep Of fifty-seven Millicent holding a half finished letter Now that I recognize your face in mine I don't want you to know that I wish you would say That you wish you had of loved me better I don't know why I came back I don't know why I came back I don't know why I came back to Millicent Street
6.
Sister 04:53
Father tried to warn me That's an evil wind upon the harbour When I returned alone broken by the lake I couldn't meet my Mother's eyes In my dreams I see Five figures sinking slowly Shrouded in white lace and just out of reach In to the mouth of the deep And how the wind came faster, faster now And how the waves grew higher, higher now My mother said be careful, careful son My mother said be careful with my little girls Show me Sister Atonement only when it's over It was no act of God Not the familiar grip of Scarlett Fever Just the crushing indifference of impetuous youth And it will haunt me until I die Some ghost am I Some angel, some harbour's keeper One hundred and sixty bodies pulled from the wreckage But I'd trade them all back for you And how the wind came faster, faster now And how the waves grew higher, higher now My mother said be careful, careful son My mother said be careful with my little girls Show me Sister Atonement only when it's over For a moment I held ten hands in mine For a moment I held them tight Show me Sister Atonement only when it's over Now I can't breathe, at last I can't breathe
7.
Under the statue of Sibelius you Counted your blessing and your Sir Roberts too, singing Our money comes from accidents Mistakes in the inheritance Our riot's free from consequence Our Annex cleared of dissidents Now only the good only the good only the good ones survive Our money comes from indolence, Secures the meek entitlement Our money buys indulgences States of exception, acquiescences If only the good only the good If only the good ones survived Give us asylum in Sibelius Park.
8.
Amber 03:42
Said the towers as you wandered through St. Jamestown You've made us tombstones for your city of the future And tread lightly on the surface of your potter's ground For one day you'll share your last earthly bed with strangers Our blessings on you citizens of the Necropolis Pray watch over them our lady of the valley And in the end do all our epitaphs amount to this I should have done, I will have been, I will have become the setting sun Said you'd burn long like an ember Said you'd glow deep in the night Said you'd be the glass stained amber Always in warm chapel light

about

Queen City: Volume Two finds the Toronto band entrenched in the somber mythology of their home city. The album, written and recorded by Ketch Harbour Wolves in Toronto, Ontario, CANADA, is the second instalment in the Queen City series and marks the band’s third full-length release. Queen City: Volume Two explores Toronto’s past, present and future in a baroque-indie-rock map of songs. Thematically the album stretches along the belly of the Queen City from the Toronto Islands to the underground rivers of Niagara Street, into the heart of Nathan Philips Square, through the city’s Victorian neighbourhoods and the towers of St. Jamestown, coming to rest with the mysteries of the Don Valley and the Toronto Necropolis.

credits

released July 21, 2015

Recorded by Ketch Harbour Wolves at
Winona Sound, TORONTO

Additional synthesizer on Queen City Believes You by Kristjan Bergey
Cello on Civil Elegies &
Sibelius Park by Shane Neill

Mixed by Jonathan Tyrrell at
Winona Sound, TORONTO
Mastered by Harris Newman at
Grey Market Mastering, MONTRÉAL


Ketch Harbour Wolves are
Liam Brown, Jonathan Tyrrell,
Brian A Urbanik & Scott Winter

All Songs Written & Performed by
Ketch Harbour Wolves
Lyrics by Jonathan Tyrrell
Album design & layout by Liam Brown
Dead Calm Records 2015 DCR005

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Ketch Harbour Wolves Toronto, Ontario

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